Stay informed with our newsletter.
.webp){kind=spacer}
EN
.webp)
'Anora', a compelling cinematic exploration of the intricate lives of exotic dancers, triumphs as the recipient of the highest accolade at the renowned Cannes Film Festival. The film delves deep into the complexities and challenges faced within this vibrant yet demanding profession, captivating audiences with its powerful storytelling and exceptional performances. Its recognition at Cannes solidifies its status as a standout piece of cinematic artistry, resonating with viewers on a global scale.
CANNES, France, May 25 (Reuters) - The Palme d'Or, the top prize at the Cannes Film Festival, was awarded to "Anora" on Saturday. Directed by Sean Baker from the U.S., the film is a darkly humorous and poignant drama centering on a young exotic dancer who becomes entangled with the son of a Russian oligarch.
Beating out 21 other films in competition, including works by esteemed directors like Francis Ford Coppola and David Cronenberg, "Anora" marks another addition to Baker's series of films focusing on sex workers, following his previous Cannes entry "Red Rocket" in 2021 and "The Florida Project" in 2017, which starred Willem Dafoe.
As he accepted the award, he dedicated the win "to all sex workers past, present, and future," while expressing gratitude to the film's star, Mikey Madison, and Samantha Quan, his wife and producer. Reflecting on the achievement, Baker shared with Reuters, "This has been my life's goal, so to reach this place is... I'm going to have to do some thinking tonight about what's next."
Jury president Greta Gerwig, known for directing the popular film "Barbie," described "Anora" as "an incredibly human and humane film that captured our hearts" when announcing the award, which was presented by George Lucas, renowned for creating "Star Wars."
During the festival's closing ceremony, Lucas was honored with an award presented by his longtime friend Coppola, whose film "Megalopolis" was also competing. Reflecting on his journey, Lucas expressed, "I'm just a kid who grew up in the middle of California, surrounded by vineyards, and made films in San Francisco with my friend Francis Coppola."
Additionally, the Grand Prix, the second-highest prize, went to "All We Imagine As Light," making it the first time an Indian director received this accolade.
Director Payal Kapadia's debut feature, exploring the bond among three women, marked the first Indian film in competition in three decades. Reflecting on the achievement, Kapadia remarked, "The fact that we could be here is a testament that if you stick to one thing and don't give up hope, then the film could possibly be made, and we are here."
Additionally, Iranian director Mohammad Rasoulof, who recently announced his exile, received a special award for his film "The Seed of the Sacred Fig," depicting an Iranian official's escalating control amid protests in 2022.
"Emilia Perez," a musical depicting the journey of a Mexican cartel boss transitioning from male to female, received dual honors at the Cannes Film Festival. Director Jacques Audiard accepted the jury prize, while the best actress prize was bestowed upon all female leads, celebrating the film's portrayal of sisterhood.
Starring Zoe Saldana, Selena Gomez, Karla Sofia Gascon, and Adriana Paz, the film earned acclaim as "a movie unlike any other" by Vanity Fair. Gascon, the first transgender actress to win the prize, dedicated it to all women, trans and non-trans, emphasizing the importance of acceptance and peace. Jesse Plemons won best actor for his portrayal of three distinct characters in Yorgos Lanthimos' "Kinds of Kindness," while "The Substance" received best screenplay for its exploration of youth and beauty.
Miguel Gomes was awarded best director for "Grand Tour," a film following a British civil servant and his fiancée on an eclectic journey through Asia. The 77th edition of the festival took place from May 14 to 25.
Source: Reuters
